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the reasons it wasn't great were mostly plot related tho, i liked the cinematography (simple is sometimes better!). and to clarify, it was a largely enjoyable movie, just wasn't saying anything distinctive or significant or resonant
while the things i'm pointing out aren't wrong, i feel like theyre not reflective of the fact that i broadly generally thought it was a charming film
The Collyingwood Story was bad but cool for being early adopter ig
V/H/S 2012 was actually really good - its just found footage horror anthology (defi don't think its quite Screenlife) but i liked it lots. Amateur Night was my favorite by far, followed by 10/31/98.
Safer at Home was just god awful. Am I supposed to be rooting for patriarchy's strongest soldier? and a stupid one at that like wtf is ur plan buddy. also with her not breathing: either 1) the protagonist is REALLY stupid or 2) its plot convenience nonsense. i don't care abt any of the characters
the pandemic screenlife films have been universally bad so far, they're so so so limited and narrow and myopic. also the broader point in SaH abt the pandemic is super unclear. haha Trump bad and also lockdowns are authoritarian and police are corrupt,, ig? if that was the point it was really sloppy

watched Face 2 Face. ehhhhhh offensively bad lmao
i made it through c u soon but idk dawg a lot of the dramatic punch is lost bc im trying to figure out wtf they mean LOL. i think pretty bad and extremely shallow overall, but maybe would have been marginally better if i was more culturally informed on a few things