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raymond geuss, morality, culture, and history, pg. 105. art and theodicy

Adorno, however, was committed to micrological analysis, to the study of the detail which illuminates the whole, and he was disinclined to draw a sharp distinction between technical philosophy and the general way in which one conducts one's life. Any evaluation of Adorno's philosophizing that tried to be true to the spirit of the approach he himself used in studying other philosophical positions would have to come to terms with Adorno's own extreme narcissism and the self-serving nature of his melancholy.