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willow

dreary.dev

did:plc:hx53snho72xoj7zqt5uice4u

andromorphic angel





suddenly in a fantastic mood
in atproto friends/freaks/faggots
from:sapph1re_sky (ros)
has:sound
search results: 7

answer: at least 6
vc
waow
molly (live)
danii
julai
nat
pasta
retr0id
willow


don’t fear the death of your current self
hi it’s willow
shout out hero apparition

reply to prxr when she comes back from deactivation
yeah sure that's all well and good. if i was being careful it would have been phrased something like "sometimes, i wish i could confidently describe myself with the pretty girl metaphor." sometimes, of course, i don't wish this, and it is not a ontological matter of Truly Being anything.
some things might aid in a self-interpretation, like hrt, because the content of my metaphors don't come from nowhere. there are no necessary conditions, and maybe my conceptions warrants revision, or not being an object of aspiration at all. i am a pretty girl already sometimes, and that's cool.

like 3.8 liters (what the hell is that)
gallon in european startpage search

tapping someone’s pfp in the reply prompt still goes to their profile in the background
1 replies




gn bunnies
2 buns
saves - loveletter w/ lhk
https://www.youtube.com/watch?v=jJnhioivkdE
https://soundcloud.com/violinbutterflynet/loveletter
https://soundcloud.com/lhklhklhk
https://madbreaks.bandcamp.com/album/new-blood


i feel obligated to say this is the hamburger helper meme
Kai @kaiklops
Drew like a dark, fucked up version of the hamburger helper mascot haha. Just a glimpse into my dark reality. A full stare into my twisted perspective would make most simply go insane lmao


i really like this - your voice is really nice - i like that you kept in mishaps - im a huge sucker for reflective diary-posting - the anxiety of influence looms large!
Richard Rorty, Contingency, Irony, Solidarity, pg 23-24
Referencing Harold Bloom, The Anxiety of Influence: A Theory of Poetry, 1973

But this does not mean simply that one fears that one's works will be lost or ignored. For that fear blends into the fear that, even if they are preserved and noticed, nobody will find anything distinctive in them. The words (or shapes, or theorems, or models of physical nature) marshaled to one's command may seem merely stock items, rearranged in routine ways. One will not have impressed one's mark on the language but, rather, will have spent one's life shoving about already coined pieces. So one will not really have had an I at all. One's creations, and one's self, will just be better or worse instances of familiar types. This is what Harold Bloom calls "the strong poet's anxiety of influence," his “horror of finding himself to be only a copy or a replica."



hi everyone meet my gf
duracell pink bunny rabbit (you can't tell but the battery is depleted)
https://www.duracell.co.uk/product/alkaline-n-batteries/

"i'm gay" "i'm trans" bro who gaf
npc crowd meme
1 replies

ok maybe kasey was onto something with this whole pinterest thing
https://pin.it/5QKBPYwYF
https://pin.it/5YYdqfJtu
https://pin.it/3KELsc3zy
https://pin.it/5ZYBeMfQ4


just wait until i collect all the chaos emeralds
google maps icons
Black-owned
Latino-owned
Asian-owned

this is me btw
google maps icons
LGBTQ+ friendly
Identifies as woman-owned
Freedom of spiritual miracles



danii: "ok so obviously you know what feynman diagram is right?"
xckd average familiarity meme with feynman diagram plugged in
even when they're trying to compensate for it, experts in anything wildly overestimate the average person's familiarity with their field.
https://xkcd.com/2501/
http://hyperphysics.phy-astr.gsu.edu/hbase/Particles/expar.html
electromagnetic, weak, between quarks, between nucleons, strong interaction
of course of course

this is actually just me plagiarizing Geuss in "Human Rights: A Very Bad Idea". we're both are skeptical/cautious with moral frameworks to start with, think rights-talk is often counter-productive, and in particular it is corrosive to how one conceptualizes their own and others' politics
1 replies

jar of kinks, with everything empty except findom, highlighted in bright pink
leave a clean copy
deep throating
knife play
tickling
hair pulling
choking
gags
over-stimulation
consensual non consent
wax play
water sports
spanking
needle play
smoking
threesomes
humilation degredation
spit
role play
pet play
ddlg
orgasm denial
nylon
voyeurism
anal
findom
tying people up
being tied up
feet
breeding

This is a post by another user.

View in bsky.app

at least i got some cool screenshots out of it
7j 16 Yesterday at 20:28
true
also it would be hypocritical of me to hate on women for being emotional all the time because i have a mood disorder myself and can act like a bitchy woman (edited)
peepeemachine Yesterday at 20:29
yeah imma be fr tho you are mentally a foid

from the incel server
1 replies

she's got a cottage-core profile picture on twitter she's gonna tell you her opinion on israel crucifix between her cute collar bones pretend to not like her but I really wanna kiss her cause she's so based she's so based she's so based she's so based
she's got a cottage-core profile picture on twitter
she's gonna tell you her opinion on Israel
crucifix between her cute collar bones
pretend to not like her but I really wanna kiss her

cause she's so based
she's so based
she's so based
she's so based

[sam hyde sample]
stop fucking thinking that you need your woman to align with you completely.
because you know who’s gonna align with you completely?
a man. a man with asperger’s.
if you want the perfect woke waifu who is down with your cause, fuckin, go find a man with asperger’s. and start dating him.

her portfolios all in on crypto
she's gotta a big network yeah she's really in the know
cigarette burns on her shooter tshirt
smoking outside the show on the patio

yeah I know, I should probably say no but
shes even read notes from the underground
haven't felt this way in forever
cause I think we'd be so cool together

cause you're so based
you're so based
you're so based
you're so based

cause she's so based
she's so based
she's so based
she's so based

https://m.soundcloud.com/acleanbreak/shes-so-based
she's so based...
a clean break

andrea dworkin books
woman hating
right-wing women
1 replies

this was a good day
Sep 18, 2023
View on Twitter
bsky-social-urcux-mkl6v
Welcome aboard friend.
Sep 18, 2023, 7:18 PM
@nonpedagogy
1 replies

what was i doing on twitter in 2022 dude
Mar 27, 2022
View on Twitter
GRRRRRRRRRRR WOOF WOOF BARK BARK ARF BARK GRRRR WOOF SNARL HSSSS GRRRR WOOF WOOF BARK ARF GRRRR HSSSS WOOF WOOF BARK ARF GRRRRR HSSSSS BARK ARF GRRRR WOOF WOOF BARK GRRR SNARL ARF WOOF BARK ARF SNARL HSSSSSS
Mar 27, 2022, 7:21 PM
Ngl if you were here rn I would pick you up and slowly get your back against the wall legs wrapped around me and make out with you then start kissing your neck slowly so you can enjoy ever little second then I would make my way down even slower and start giving you hickies on your chest and kissing your chest and slowly make eye contact with you while doing so then I would lay you on your back and mark up your thighs with hickies and taking my time going up and up your thighs I would tease your pussy while you feel my warm breath hitting it kissing around it and then start to eat you out until your legs start to tighten around my head and you hold my head in and with every second of pleasure you would breathe a little harder I would eat you out till your legs start shaking slightly more by the second and you cum in my mouth but I would keep going so you can enjoy it more and more while you moan my name then i would slowly tease your pussy with my tongue so you know who’s it is :pleading_face::point_right_tone3::point_left_tone3:
Mar 27, 2022, 7:22 PM
ok you win
Mar 27, 2022, 7:23 PM
@ashhotbuns
1 replies


alt text backfill
adorno, aesthetic theory, 39-40

Whoever concretely enjoys artworks is a philistine; he is convicted by expressions like "a feast for the ears." Yet if the last traces of pleasure were extirpated, the question of what artworks are for would be an
embarrassment. Actually, the more they are understood, the less they are enjoyed. Formerly, even the traditional attitude to the artwork, if it was to be absolutely relevant to the work, was that of admiration that the works exist as they do in themselves and not for the sake of the observer. What opened up to, and overpowered, the beholder was their truth, which as in works of Kafka's type outweighs every other element. They were not a higher order of amusement. The relation to art was not that of its physical devouring; on the contrary, the beholder disappeared into the material; this is even more so in modern works that shoot toward the viewer as on occasion a locomotive does in a film. Ask a musician if the music is a pleasure, the reply is likely to be as in the American joke of the grimacing cellist under Toscanini-"I just hate music." For him who has a genuine relation to art, in which he himself vanishes, art is not an object; deprivation of art would be unbearable for him, yet he does not consider individual works sources of joy. Incontestably, no one would devote himself to art without—as the bourgeois put it-getting something out of it; yet this is not true in the sense that a balance sheet could be drawn up: "heard the Ninth Symphony tonight, enjoyed myself so and so much" even though such feeble-mindedness has by now established itself as common sense. The bourgeois want art voluptuous and life ascetic; the reverse would be better.
adorno, aesthetic theory, 69

By an inherent tendency, important artworks annihilate everything of their own time that does not achieve their standard. Rancor is therefore one of the reasons why so many of the cultured oppose radical modern art: The murderous historical force of the modern is equated with the disintegration of all that to which the proprietors of culture despairingly cling. Modern art is questionable not when it goes too far—as the cliché runs but when it does not go far enough, which is the point at which works falter out of a lack of internal consistency. Only works that expose themselves to every risk have the chance of living on, not those that out of fear of the ephemeral cast their lot with the past.
adorno, aesthetic theory, 46

Those who have been duped by the culture industry and are eager for its commodities were never familiar with art: They are therefore able to perceive art's inadequacy to the present life process of society though not society's own untruth more unobstructedly than do those who still remember what an artwork once was.
They push for the deaestheticization of art. 4 Its unmistakable symptom is the passion to touch everything, to allow no work to be what it is, to dress it up, to narrow its distance from its viewer. The humiliating difference between art and the life people lead, and in which they do not want to be bothered because they could not bear it otherwise, must be made to disappear: This is the subjective basis for classifying art among the consumer goods under the control of vested interests.
adorno, aesthetic theory, 76

To survive reality at its most extreme and grim, artworks that do not want to sell themselves as consolation must equate themselves with that reality. Radical art today is synonymous with dark art; its primary color is black. Much contemporary production is irrelevant because it takes no note of this and childishly delights in color. The ideal of blackness with regard to content is one of the deepest impulses of abstraction. It may well be that the current trifling with sound and color effects is a reaction to the impoverishment entailed by the ideal of black; perhaps art will one day be able to abolish this axiom without self-betrayal, which is what Brecht may have sensed when he wrote: "What times are these, when /to speak of trees is almost a crime / because it passes in silence over such infamy!

alt text backfill
adorno, aesthetic theory, pg 24

This binds art to a naiveté of a second order: the uncertainty over what purpose it serves. It is uncertain whether art is still possible; whether, with its complete emancipation, it did not sever its own preconditions. This question is kindled by art's own past. Artworks detach themselves from the empirical world and bring forth another world, one opposed to the empirical world as if this other world too were an autonomous entity. Thus, however tragic they appear, artworks tend a priori toward affirmation. The clichés of art's reconciling glow enfolding the world are repugnant not only because they parody the emphatic concept of art with its bourgeois version and class it among those Sunday institutions that provide solace. These cliches rub against the wound that art itself bears. As a result of its inevitable withdrawal from theology, from the unqualified claim to the truth of salvation, a secularization without which art would never have developed, art is condemned to provide the world as it exists with a consolation that -shorn of any hope of a world beyond-strengthens the spell of that from which the autonomy of art wants to free itself. The principle of autonomy is itself suspect of giving consolation: By undertaking to posit totality out of itself, whole and self-encompassing, this image is transferred to the world in which art exists and that engenders it. By virtue of its rejection of the empirical world a rejection that inheres in art's concept and thus is no mere escape, but a law immanent to it-art sanctions the primacy of reality. In a work dedicated to the praise of art, Helmut Kuhn warranted that art's each and every work is a paean.'
continued. 

His thesis would be true, were it meant critically. In the face of the abnormity into which reality is developing, art's inescapable affirmative essence has become insufferable. Art must turn against itself, in opposition to its own concept, and thus become uncertain of itself right into its innermost fiber. Yet art is not to be dismissed simply by its abstract negation. By attacking what seemed to be its foundation throughout the whole of its tradition, art has been qualitatively transformed; it itself becomes qualitatively other. It can do this because through the ages by means of its form, art has turned against the status quo and what merely exists just as much as it has come to its aid by giving form to its elements. Art can no more be reduced to the general formula of consolation than to its opposite.



quoisexual flag moment kasey
pdsls with edit button highlighted and 3 question marks



cya on my alt for a bit
Your account is very limited
You can't use some parts of Discord. You may be suspended if you break the rules again.


update on the incels: they’re all upset because their discord accounts got sus’d for being in a server with today’s school shooter
@seeking cosmic thrills enjoyer strep told me that ecel got banned because of a school shooter
Vegeta Today at 17:06
Yea I was in the shooters server as it happened
beanfan alt account Today at 17:06
so like dont message me on here unless i get permed
slug Today at 17:39
did we all get our accounts banned
Mightyasshole Im dying
Mightyasshole Today at 17:39
Is this fedposting
@slug did we all get our accounts banned
Vegeta Today at 17:39
I had two banned lel
@slug did we all get our accounts banned
doll Today at 17:39
for one day...
Vegeta I had two banned lel
Vegeta Today at 17:39
One for a day one perm
@slug did we all get our accounts banned
Mightyasshole Today at 17:39
Yep
Unfortunately
doll Today at 16:34
i'm just happy my account isn't banned
Mightyasshole Today at 16:34
Mine got suspended
doll Today at 16:34
3:57 •
A server you joined, Wizcity 2.0, broke Discord's rules for violent extremism
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