angrily muttering “kill yourself” to the gas pump that started playing an advertisement at me before realizing the person that just got out of their car 2 feet from me might think it’s directed at them
It is still possible to make one’s way in entertainment, if one is not too obstinate about one’s own concerns, and proves appropriately pliable. Anyone who resists can only survive by fitting in. Once his particular brand of deviation from the norm has been noted by the industry, he belongs to it as
equality is a stupid goal + ur a lib + moralism + they’re qualitatively different reference points to evaluate interests relative to
congrats you’ve graduated from “all lives matter” feminism but can we drop the rest of the baggage soon now pls
verdict on bmth’s kool aid:
- chorus sucks
- verse 2, bridge, and breakdown have vocally solid moments from oli
- instruments are really uninspiring throughout, excessively clinical and playing it safe
- we already did the doom inspired thing on post human, like it’s fine but not that interesting
sorry for the subpar posting spam tonight bloomfies
apparently that's my chosen method right now for a palliative remedy attempt for my pain: focusing my negative emotional energies into a creative project of fixation. even if the result is pathetic and ineffectual, the pragmatic role is significant
We can say without fear of contradiction that some delusion/obsessive illusion has always gone ahead and illuminated the path
to any large form of structuring of human communal life
i’m kind of a crybaby for this but
some people i work very closely with are getting their flexible work options taken away and
listening to her talk about working on fridays and paying another thousand dollars a month in daycare was honestly kinda crushing.
i’m still following a producer that struck gold in a short-lived experimental phase two years ago in hopes that they stop making trap remixes and return to gods chosen path