the specific fetish character of music lies in this quid pro quo. the feelings which go to the exchange value create the appearance of immediacy at the same time as the absence of a relation to the object belies it.
it has its basis in the abstract character of exchange value. every ‘psychological’ aspect, every ersatz satisfaction, depends on such social substitution.
it can be asked whom music for entertainment still entertains. rather, it seems to complement the reduction of people to silence, the dying out of speech as expression, the inability to communicate at all.
there's a difference between trans Women and Trans women, if you're irl you should be the former and if you're online you should be the latter but not annoying about it
there are some exception cases, like some aspects and forms of utopianism, where the regulative ideal is in service of it's own abolition, but even then it's complicated and easy to err