i’m in no rush to come back because i haven’t really come to a resting spot yet, and im sort of overflowing with reflection and emotion (which is cool!) but any expression is misleading and misrepresentative and i don’t need the additional weight of that consideration while i work through stuff
compositionally, it's easy to forget they exist, and difficult to find the place for them. as a player, they're ambitious and challenging to pull off gracefully. the audience has a role to play too, and not just a receptive one.
you don't always get to take it from the top, and making the most of a live performance can be more fun than hitting the studio to perfect a few measures. even if the transition is wobbly, tempo changes still effective as long as everyone catches one another to get back on beat
i’m not totally infatuated or w/e, i just like her and its nice to be back. also the World Spirit has set me to work on the neglected opposite side of her opinion polls
i really really like this metaphor accly. it’s this hardened, petrified thing divided into distinct sections by the passage of time. and flat in the sense that they’re all laid out and presented before you, along with the implication of equality of importance